https://whoisseen.com/editorial daily 1.0 2026-03-22 https://whoisseen.com/editorial/luc-tuymans-interview-the-fruit-basket-los-angeles-david-zwirner-frieze-la monthly 0.5 2026-03-22 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d840bfba-6639-43ae-a577-354a51c63511/LTUYMANSDZLASHOW2026_INSTALL_V2.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans: The Fruit Basket, David Zwirner, Los Angeles, February 24-April 4, 2026. Photo by Elon Schoenholz. Courtesy David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2e51740d-1f5f-4046-a76d-d8fa60b483d9/LTUYMANSDZLASHOW2026_INSTALL_V1.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans: The Fruit Basket, David Zwirner, Los Angeles, February 24-April 4, 2026. Photo by Elon Schoenholz. Courtesy David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/787fa180-9037-456d-9a02-0c5c95c5a4de/LTUYMANSDZLASHOW2026_INSTALL_V3.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans: The Fruit Basket, David Zwirner, Los Angeles, February 24-April 4, 2026. Photo by Elon Schoenholz. Courtesy David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/4772ef7e-ce9e-4733-9a3a-b5960f42f7a6/TUYLU1150.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Illumination II, 2025. © Luc Tuymans. All rights reserved. Courtesy Studio Luc Juymans, Antwerp, and David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/bc6a6c0f-2727-4991-9f2d-f151bbcdb11b/TUYLU1153.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, The Maggot, 2025. © Luc Tuymans. All rights reserved. Courtesy Studio Luc Juxmans, Antwerp, and David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/96eb7ca9-c18b-4f46-8f32-1990b023ebc2/TUYLU1151.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, The Family, 2025. © Luc Tuymans. All rights reserved. Courtesy Studio Luc Tuymans, Antwerp, and David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a86c7af0-e678-4c22-879e-103609c5b042/TUYLU1146.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, The Fruit Basket, 2025. © Luc Tuymans. All rights reserved. Courtesy Studio Luc Tuymans, Antwerp, and David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/20181abb-270c-4d32-a2ef-997cc7f4a7ac/LT_PALAZZOGRASSI_2019_INSTALL_V7.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Secrets, 1990, Private Collection, Courtesy Zeno X Gallery, Antwerp. Installation View at Palazzo Grassi, 2019 © Palazzo Grassi, Photography by Delfino Sisto Legnani e Marco Cappelletti. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/ab5eb26b-2347-44ff-9d3a-0aedc7bc8023/LT_PALAZZOGRASSI_2019_INSTALL_V8.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Schwarzheide, 2019, Fantini Mosaici, Milano, Installation View at Palazzo Grassi, 2019 © Palazzo Grassi, Photography by Delfino Sisto Legnani e Marco Cappelletti. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2e188822-7927-43f4-9590-e8e015610a36/LT_PALAZZOGRASSI_2019_INSTALL_V12.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out (From left to right) Luc Tuymans, Issei Sagawa, 2014, Tate, Murky Water, 2015, Collezione Prada, Milano, Le Mépris, 2015, Collection of Mimi Haas. Installation View at Palazzo Grassi, 2019 © Palazzo Grassi, Photography by Delfino Sisto Legnani e Marco Cappelletti. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1ba232ae-3eab-4663-8e47-375d0c03aeee/LT_PALAZZOGRASSI_2019_INSTALL_V11.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Mountains, 2016, Pinault Collection. Installation View at Palazzo Grassi, 2019 © Palazzo Grassi, Photography by Delfino Sisto Legnani e Marco Cappelletti. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/56b232bf-8e54-45bf-a17f-42e82d016eed/LT_PALAZZOGRASSI_2019_INSTALL_V16_WIS.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Turtle, 2007, Private collection, Courtesy David Zwirner, New York/London. Installation View at Palazzo Grassi, 2019 © Palazzo Grassi, Photography by Delfino Sisto Legnani e Marco Cappelletti. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/32bd1914-b1b6-4ada-b8aa-232d23a94c5b/TUYLU0655.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Luc Tuymans, Morning Sun, 2003. © Luc Tuymans. All rights reserved. Courtesy Studio Luc Tuymans, Antwerp, and David Zwirner. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/7209fda3-6527-4b43-b388-e5a77a12664d/LT_LOUVRE_2024_INSTALL_V22.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans: L'Orphelin, Louvre Museum, Paris, 2024. Photo by Nicolas Brasseur. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/0b873312-04a1-4ffb-b074-be0c40304969/LT_WEXNER_2009_INSTALL_V76.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans, Wexner Center for the Arts, Columbus, United States, 2009-2010. Photo by Cory Piehowicz. Courtesy Wexner Center for the Arts, The Ohio State University https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a436f8d0-5c3f-422e-80a9-89094c7a1d24/LT_WEXNER_2009_INSTALL_V75.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans, Wexner Center for the Arts, Columbus, United States, 2009-2010. Photo by Cory Piehowicz. Courtesy Wexner Center for the Arts, The Ohio State University https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1b6f805f-4f02-480c-86fc-6009a3073075/LT_WEXNER_2009_INSTALL_V39.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out Installation view, Luc Tuymans, Wexner Center for the Arts, Columbus, United States, 2009-2010. Photo by Cory Piehowicz. Courtesy Wexner Center for the Arts, The Ohio State University https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/8765853c-c3bb-4398-96d0-3dd3fcca4041/LT_UCCA_2024_INSTALL_V31.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out “吕克•图伊曼斯：过去”展览现场图，UCCA尤伦斯当代艺术中心，2024。图片由UCCA尤伦斯当代艺术中心提供，摄影：孙诗。Installation view of "Luc Tuymans: The Past," UCCA Center for Contemporary Art, 2024. Photograph by Sun Shi, courtesy UCCA Center for Contemporary Art. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/b5250c47-2fc6-4a8b-b633-a6d72953f5ce/LT_UCCA_2024_INSTALL_V49.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out “吕克•图伊曼斯：过去”展览现场图，UCCA尤伦斯当代艺术中心，2024。图片由UCCA尤伦斯当代艺术中心提供，摄影：孙诗。Installation view of "Luc Tuymans: The Past," UCCA Center for Contemporary Art, 2024. Photograph by Sun Shi, courtesy UCCA Center for Contemporary Art. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/b9767aed-69bd-43b6-953b-4c94bd85e724/LT_UCCA_2024_INSTALL_V4.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out “吕克•图伊曼斯：过去”展览现场图，UCCA尤伦斯当代艺术中心，2024。图片由UCCA尤伦斯当代艺术中心提供，摄影：孙诗。Installation view of "Luc Tuymans: The Past," UCCA Center for Contemporary Art, 2024. Photograph by Sun Shi, courtesy UCCA Center for Contemporary Art. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/95276880-2f69-4543-a32f-2f668e58687b/LT_UCCA_2024_INSTALL_V28.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out “吕克•图伊曼斯：过去”展览现场图，UCCA尤伦斯当代艺术中心，2024。图片由UCCA尤伦斯当代艺术中心提供，摄影：孙诗。Installation view of "Luc Tuymans: The Past," UCCA Center for Contemporary Art, 2024. Photograph by Sun Shi, courtesy UCCA Center for Contemporary Art. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3fc019ea-c939-467d-8e8c-4304cee85ccf/LT_UCCA_2024_INSTALL_V51.jpg EDITORIAL - LUC TUYMANS INTERVIEW: ON ‘THE FRUIT BASKET’ AND THE IMAGE TODAY - Make it stand out “吕克•图伊曼斯：过去”展览现场图，UCCA尤伦斯当代艺术中心，2024。图片由UCCA尤伦斯当代艺术中心提供，摄影：孙诗。Installation view of "Luc Tuymans: The Past," UCCA Center for Contemporary Art, 2024. Photograph by Sun Shi, courtesy UCCA Center for Contemporary Art. https://whoisseen.com/editorial/harald-szeeman-una-szeemann-henry-vincent-jason-rhoades-marciano-art-foundation monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/87c59499-0e64-42aa-b636-6beef3437a4e/DOCUMENTA_5_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out documenta 5 press conference in 1972. Harald Szeemann in the center. Photography by Balthasar Burkhard. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/432eb541-03b5-4298-826e-90c3f4a9668c/Documenta_5%2C_Fridericianum.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Documenta 5, Fridericianum mit Oase 7. Photo by JeLuF / Wikimedia Commons, CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2d577504-f5b2-4fd3-94c2-1c323dd6881a/Katalog_documenta_5_1972.JPG EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Katalog documenta 5, 1972. Cover art by Ed Ruscha. Photo by Delorian / Wikimedia Commons, CC BY-SA 4.0. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/9dc22b64-7a69-4fca-8dbd-efb6c53df616/%28c%29HeatherRasmussen_DSCF5203.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Installation view of Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann at Marciano Art Foundation, Los Angeles, February 21 to April 11, 2026. Photo by Heather Rasmussen, courtesy of Marciano Art Foundation. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/4e604a42-9a7d-443e-b97f-ab53ba37840f/%28c%29HeatherRasmussen_MAF_8059.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Installation view of Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann at Marciano Art Foundation, Los Angeles, February 21 to April 11, 2026. Photo by Heather Rasmussen, courtesy of Marciano Art Foundation. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/c8fa5418-48c7-4e20-8499-7e10553fc9e9/%28c%29HeatherRasmussen_MAF_8156.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Installation view of Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann at Marciano Art Foundation, Los Angeles, February 21 to April 11, 2026. Photo by Heather Rasmussen, courtesy of Marciano Art Foundation. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/56aacfde-efdf-417e-af31-e65f5cff174b/%28c%29HeatherRasmussen_MAF_8221.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Installation view of Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann at Marciano Art Foundation, Los Angeles, February 21 to April 11, 2026. Photo by Heather Rasmussen, courtesy of Marciano Art Foundation. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2bb93a5d-d6f3-4266-9740-69ea08c0c95c/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_1969.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Una Szeemann and Harald Szeemann are together in his office. Courtesy of Una Szeeman. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/81eb2208-07fd-41e6-9fba-d7575f34b3eb/UNA_SZEEMAN_HENRY_VEINCENT_WHO_IS_SEEN_13.jpeg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Henry Vincent and Harald Szeemann in Seville, Spain. Courtesy of Henry Vincent. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/c2fcb089-e91b-4e03-9a49-24a4d1d6418f/UNA_SZEEMAN_HENRY_VEINCENT_WHO_IS_SEEN_14.jpeg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Henry Vincent and Una Szeemann together in Venice, Italy. Courtesy of Henry Vincent. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/83ed6365-7169-476b-b7d6-d2d52dbe7583/HENRY_VINCENT_UNA_SZEEMAN_WHO_IS_SEEN.jpeg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Henry Vincent and Una Szeemann walking in Los Angeles during Frieze Week 2026. Courtesy of Amadour. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d9b0ec0c-5c33-46e1-8cc8-8229141452e3/PRETENZIONE_INTENZIONE_MONTE_VERITA_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_3.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Pretenzione Intenzione (Fabbrica Rosa, 2015). Photography by Bohdan Stehlik. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/775177d7-aaa5-4cb9-ace1-427f0e753083/PRETENZIONE_INTENZIONE_MONTE_VERITA_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_4.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Pretenzione Intenzione (Fabbrica Rosa, 2015). Photography by Bohdan Stehlik. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d363a573-9168-422c-9ad2-da2e30f75f1d/PRETENZIONE_INTENZIONE_MONTE_VERITA_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_7.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Pretenzione Intenzione (Fabbrica Rosa, 2015). Photography by Bohdan Stehlik. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a8e5b267-94c8-414e-be75-09e09cc315d5/PRETENZIONE_INTENZIONE_MONTE_VERITA_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_5.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Pretenzione Intenzione (Fabbrica Rosa, 2015). Photography by Bohdan Stehlik. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/108311aa-ebd4-44c7-b987-55027585a7ae/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_5.JPG EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Fabbrica Rosa. Photography by Simon Chaput. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/11072974-aed7-4a58-ba33-672c9ad7c40c/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_3.JPG EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Fabbrica Rosa. Photography by Simon Chaput. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/354f46db-b5b8-4ded-959f-74b1d2fea023/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_11.JPG EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Harald Szeemann at Fabbrica Rosa. Photography by Simon Chaput. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/b73c0950-5710-47c0-a536-2a94ac38fe1d/JAMES_ENSOR_STUDIO_WHO_IS_SEEN.jpeg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out James Ensor nel suo studio di Ostenda/ In his studio in Ostende, foto di/Photography by A. d'Ypres https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2d856ad6-c38f-4e96-b96a-c33a54f24160/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_1.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Lawrence Weiner as Baron Max von Emden with the Starlets (Kristin Ligocki and Andrea Orme) and rubber dolls. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f7d618b2-fda2-4081-abb2-6884a1319018/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_8.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Henry Vincent as Hugo Ball. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/099c7d55-c03e-46dd-9b37-d2420da3cd57/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_7.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Mr. and Ms. Olympia (Tommi Thorvildsen and Pauliina Talus) as Henri Oedenkoven and Ida Hofmann. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1fdc3bac-ac1b-4bbf-855c-ffd8ac22782e/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_9.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Jason Rhoades as Rudolph von Laban with ballet dancers. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/535f8614-eb74-44a5-bacf-57abeecf7476/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_4.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Udo Kier as Erich Mühsam. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f53aa925-834f-4f74-9687-87f1e626f8a5/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_10.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Paul McCarthy as Elisar von Kupffer. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/4991cb06-2bf4-463e-bae4-b3edc420706f/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_6.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Paul Cantelon as Otto Gross with the five cheerleaders (Marina Carrero as Cheerleader '!’; Alexis Cohen as Cheerleader 'O'; Kate Porter as Cheerleader 'T'; Kerri Randles as Cheerleader 'O'; and Natalie Wilkie Cheerleader 'T’. Still from MONTEWOOD HOLLYVERITA ( Video 2003). Photography by Simon Chaput. Courtesy of Una Szeemann. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/73484b0a-1d20-4acd-b42d-dbfd2736cd5a/PRETENZIONE_INTENZIONE_MONTE_VERITA_UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN_2.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Pretenzione Intenzione (Fabbrica Rosa, 2015). Photography by Bohdan Stehlik. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/63d5d489-0b2c-4abe-a4d4-e53867f338f9/%28c%29HeatherRasmussen_MAF_8240.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Installation view of Pretenzione Intenzione: Objects of Beauty and Bewilderment from the Archive of Harald Szeemann at Marciano Art Foundation, Los Angeles, February 21 to April 11, 2026. Photo by Heather Rasmussen, courtesy of Marciano Art Foundation. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d8307584-fa19-47f9-9bec-fcbc0677f30d/Black_Square.jpg EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Kazimir Malevich (1879–1935). Black Square (or Black Suprematic Square), 1915. Tretyakov Gallery, Moscow. Wikipedia Commons. Image in the Public Domain. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/fd6c42a5-bdee-4039-b713-d430508d17cf/UNA_SZEEMAN_HARALD_SZEEMAN_HENRY_VINCENT_WHO_IS_SEEN.JPG EDITORIAL - UNA SZEEMANN AND HENRY VINCENT ON HARALD SZEEMANN, MONTE VERITÀ, JASON RHOADES, AND WHY THE ARTIST MUST REMAIN AT THE CENTER - Make it stand out Fabbrica Rosa. Photography by Simon Chaput. https://whoisseen.com/editorial/interview-johnnie-chatman-photographer monthly 0.5 2026-03-05 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/9171feb7-7e1d-4c35-a20d-fd45a70b81f0/Johnnie_Chatman_Who_Is_Seen_8.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, John Ford Point. Courtesy of Johnnie Chatman. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1e87d99b-e6ca-4e98-ad55-f6b9125c3794/Johnnie_Chatman_Cascade_Falls_Who_Is_Seen.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, Cascade Falls. Courtesy of Johnnie Chatman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2e772cab-977f-4a8f-b97b-99cdf113c51c/Johnnie_Chatman_Who_Is_Seen_7.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, John Ford Point. Courtesy of Johnnie Chatman. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a599dc26-24b9-48b8-b8b8-6cd110b7477e/Johnnie_Chatman_Who_Is_Seen_3.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Photograph of Johnnie Chatman by Mirna Borr. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1b71995c-c68e-41f4-8da4-79d7777a8732/Johnnie_Chatman_Who_Is_Seen_2.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Installation still of Embodied Pacific: Three Lives at Gallery QI at The Qualcomm Institute at University of California San Diego. Curated by Dr. Lisa Cartwright. Image courtesy of Gallery QI. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/be572ec2-52e4-45b6-87b1-43e9feb5f16c/Johnnie_Chatman_Who_Is_Seen_1.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Installation still of Sea Change: Photographs from the Collection at San Francisco Museum of Modern Art. Courtesy of Johnnie Chatman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/b14a8f04-bde5-4599-902f-1b487b8eb0f5/Johnnie_Chatman_Who_Is_Seen_5.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Installation still of Rhizomatic Intimacies: Photography from the Collection of Keith Jantzen ’80 and Scott Beth at Grinnell College Museum of Art. Courtesy of Johnnie Chatman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/e0be28fc-572f-4cd5-a59c-507986dc3b8a/Johnnie_Chatman_Who_Is_Seen.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Installation still of Sea Change: Photographs from the Collection at San Francisco Museum of Modern Art. Photograph by Dr. Emilia Mickevicius. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/505640c3-e0d9-4576-8651-4d31b81496ef/Johnnie_Chatman_Yosemite_Who_Is_Seen.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, Yosemite. Courtesy of Johnnie Chatman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/0eaa0695-8b69-4cdd-b14b-76a529524005/Johnnie_Chatman_Who_Is_Seen_9.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, Sonora. Courtesy of Johnnie Chatman. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/4614fb7f-5729-4742-b866-a3bc53879db9/Johnnie_Chatman_Who_Is_Seen_Great_Sand.jpg EDITORIAL - AN INTERVIEW WITH JOHNNIE CHATMAN: REFRAMING THE AMERICAN WEST THROUGH CONTEMPORARY LANDSCAPE PHOTOGRAPHY - Make it stand out Self Portrait, Great Sand Dunes (South). Courtesy of Johnnie Chatman https://whoisseen.com/editorial/tintin-on-her-world-fka-twigs-diva-doll-eusexua-trans-life-in-london-underground-scene monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/77b46902-40bd-4b5d-8d49-2fb70aaa2b07/TINTIN_FREEMAN_WHO_IS_SEEN_5.JPG EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Photography by Mario Pereira. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/10c050ff-e026-4989-8919-b49c2b197c24/TINTIN_FREEMAN_WHO_IS_SEEN_1.jpg EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Photography by Mario Pereira. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/0e175800-c033-441e-b6f0-383e798149ba/TINTIN_FREEMAN_WHO_IS_SEEN_4.JPG EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Photography by Mario Pereira. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/ca539f77-cacd-4454-93d7-ca86f8e2bc96/TINTIN_FREEMAN_WHO_IS_SEEN_9.JPG EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Tintin performing. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a9e35424-9df7-4ab5-94aa-7e6ea56de2f4/TINTIN_FREEMAN_FKA_TWIGS_WHO_IS_SEEN+3172+-+Photo+by+%40no.one.studio.london.JPG EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out FKA twigs and Tintin performing together at the EUSEXUA Rave in London. Photography by @no.one.studio.london. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3dece2c3-e7ef-4f0c-9607-9faf137c5d00/TINTIN_FREEMAN_WHO_IS_SEEN_11.JPG EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Tintin and Parma Ham performing in London. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/9254c261-b150-4ddb-afe2-205b1be8957b/TINTIN_FREEMAN_WHO_IS_SEEN_2.TIF.jpg EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Tintin and Parma Ham performing in London. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/7204e958-5974-4067-aef2-1994d38db651/TINTIN_FREEMAN_WHO_IS_SEEN_3.jpg EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Photography by Mario Pereira. ©Tintin Freeman https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/63c8595a-6bdb-44c2-9229-8c27c88eaa37/TINTIN_FREEMAN_WHO_IS_SEEN.jpg EDITORIAL - TINTIN ON HER WORLD: FKA TWIGS, “DIVA DOLL,” EUSEXUA, AND THE RADICAL VISIBILITY OF TRANS LIFE IN LONDON’S UNDERGROUND - Make it stand out Tintin and Parma Ham in London. ©Tintin Freeman https://whoisseen.com/editorial/michael-rikio-ming-hee-ho-fragment-gallery-new-york monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/36aec134-edf5-4ff4-8668-79bb1bda99da/Fragment+Gallery+2-4-26-20.jpg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Installation view of In now that i look back it was all falling apart but the pieces were all there: Michael Rikio Ming Hee Ho at Fragment Gallery, New York. Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/5b435015-7eec-4177-84fd-a6f5e9815d1b/Fragment+Gallery+2-4-26-6.jpg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Installation view of In now that i look back it was all falling apart but the pieces were all there: Michael Rikio Ming Hee Ho at Fragment Gallery, New York. Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/6a106986-6153-4b03-9acd-446a20a18cf8/Fragment+Gallery+2-4-26-13.jpg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Installation view of In now that i look back it was all falling apart but the pieces were all there: Michael Rikio Ming Hee Ho at Fragment Gallery, New York. Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f1b611e9-d8bc-454a-9b7b-b2d8f5428dd5/Michael+Rikio+Ming+Hee+Ho+in+Studio+in+Tokyo.jpeg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho is building a custom-shaped canvas in his Tokyo studio in Harajuku. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/24b4d2de-66e0-49bb-9a9e-c318e4320bff/Michael+Rikio+Ming+Hee+Ho+in+Studio+in+Tokyo+Building+Canvas.jpeg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho is painting with acrylic on canvas in his studio. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/a0fb56cc-0ff7-4890-8938-cbcea1d5fe4d/fragment-michael-rikio-ming-hee-ho-she-just-needs-space-2025.jpg.webp EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho, SHE JUST NEEDS SPACE, 2025, Acrylic on cotton canvas panel, (49 W x 63 H cm | 19 W x 25 H in). Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/0258772f-a61a-4d25-ae53-557ba8485dda/fragment-michael-rikio-ming-hee-ho-but-the-pieces-were-all-there-2025.jpg.webp EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho, BUT THE PIECES WERE ALL THERE, 2025, Acrylic on dyed raw cotton canvas panel, (59 W x 49 H cm | 22 W x 19 H in). Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/02e85cb4-acaf-4b13-9fe7-82767b305195/fragment-michael-rikio-ming-hee-ho-i-promise-you-ill-come-back-2025.jpg.webp EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho, I PROMISE YOU I’LL COME BACK, 2025, Acrylic on dyed raw cotton canvas panel, (84 W x 104 H cm | 33 W x 41 H in). Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3a5eb4c5-5531-4630-b037-d95c62fd6c22/fragment-michael-rikio-ming-hee-ho-my-island-girl-2025.jpg.webp EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Michael Rikio Ming Hee Ho, MY ISLAND GIRL, 2025, Acrylic on dyed raw cotton canvas panel, (34 W x 47 H cm | 13 W x 19 H in). Courtesy of Fragment Gallery. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/7b14aed7-8be7-41b8-a886-02b6662eeed0/MICHAEL+RIKIO+MING+HEE+HO+STUDIO+AT+NIGHT.jpg EDITORIAL - MICHAEL RIKIO MING HEE HO DEBUTS FIRST NYC SOLO EXHIBITION AT FRAGMENT GALLERY FEATURING TROMPE-L’OEIL SHAPED CANVASES, TEXT-BASED CONCEPTUAL ART, AND CONTEMPORARY HAWAIIAN IDENTITY - Make it stand out Streetview of Michael Rikio Ming Hee Ho’s studio in Harajuku at night. Courtesy of Amadour. https://whoisseen.com/editorial/kohler-artist-residency monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/6983397c-81b4-435a-b847-986956962c1c/ai.far.2025.0035-jpeg+only.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Arts/Industry artist-in-residence Sameer Farooq in the Kohler Co.Pottery,2025.Photo:Kohler Co.,courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1507abc8-027f-4f78-91de-718e80830f37/ai.raj.2023.0040-jpeg+only.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Arts/Industry artist-in-residence Nirmal Raja in the Kohler Co.Foundry,2023.Photo: Kohler Co., courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/6af84a83-1104-42b6-93ba-e7da374e75f2/ai.lor.2025.0057-jpeg+only.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Arts/Industry artist-in-residence Marie Lorenz in the Kohler Co.Pottery,2025.Photo: Kohler Co., courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1b4403ed-90d0-4970-9e94-dc2821bf31da/ai.jim.2025.0041-jpeg+only.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Arts/Industry artist-in-residence Salvador Jiménez-Flores in the Kohler Co.Foundry,2025.Photo: Kohler Co., courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d64e723b-9345-4da3-b493-c086adddd59b/ai.far.2025.0088-jpeg+only.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Work by Arts/Industry artist-in-residence Sameer Farooq, 2025. Photo: Kohler Co., courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3cf09bf4-1732-4293-ae48-ac818ca7724d/TBA_Sameer+Farooq+at+The+Auto+BLDG_TH+03.jpeg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Work by Sameer Farooq. Toni Hafkensheid and the Toronto Biennial of Art https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/85fc3bfd-27e7-496f-bb29-84a996d769a5/01flatbread.jpeg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Arts/Industry artist-in-residence Sameer Farooq, 2025. Photo: Kohler Co., courtesy of John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/e8f49ef0-1a8a-4de2-a12d-f09695984145/TBA_Sameer+Farooq+at+The+Auto+BLDG_TH+013.jpeg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out Work by Sameer Farooq. Toni Hafkensheid and the Toronto Biennial of Art https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/e15d8bcd-819d-4ba4-8b47-93a6989a8b9e/ap.2019.0036.jpg EDITORIAL - INSIDE THE ARTS/INDUSTRY RESIDENCY AT THE JOHN MICHAEL KOHLER ARTS CENTER: AN INTERVIEW WITH ARIST SAMEER FAROOQ - Make it stand out The Art Preserve of the John Michael Kohler Arts Center, Sheboygan, WI. Photo: Durston Saylor, courtesy of John Michael Kohler Arts Center https://whoisseen.com/editorial/olga-de-amaral-lisson-gallery-los-angeles monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/2f8a9c63-1781-4353-8bf0-b47b34f0b170/OCA-Retratos-%28%283%29+_A5A2787_%29.jpg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Olga de Amaral Casa Amaral, Bogotá, Colombie, 2013 Photo © Diego Amaral https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d3be6b70-dbb5-432c-a7e5-596233c71a45/AMAR_Lisson+LA_2025_001.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Exhibition view of ‘Olga de Amaral’at Lisson, Gallery Los Angeles, 14 November 2025–January2026 © Olga de Amaral, Courtesy Lisson Gallery https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/ee844ec8-eac0-43a4-b2f2-7c44f34bc5f3/_D854814.jpg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out ‘Olga de Amaral’ at the Fondation Cartier pour l’art contemporain, Paris (2024) © MARC DOMAGE https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f4ee576b-a26c-49ca-bba5-aa9b0384c9b1/_D854627.jpg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out ‘Olga de Amaral’ at the Fondation Cartier pour l’art contemporain, Paris (2024) © MARC DOMAGE https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/4326acf2-cc65-4563-b34e-d04edae5cf5b/AMAR770002_001.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Olga de Amaral, Eslabón Familiar,1977, Hand-spun horsehair and wool238.8 x 73.7 cm94 x 29 in© Olga de Amaral, Courtesy Lisson Gallery https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/6b4ae2a1-73ed-4210-9b0c-5716d8db3cf4/AMAR140006_001.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Olga de Amaral, Nudo 19 (turquesa), 2014, Linen, gesso, and acrylic293.4 x 17.8 x 17.8 cm115 1/2 x 7 x 7 in© Olga de Amaral, Courtesy Lisson Gallery https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/aad98e87-277d-47ee-9c39-dc9055bad56e/AMAR170009_001.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Olga de Amaral, Ombrío A, 2017, Linen, gesso, Japanese paper, acrylic, and palladium (172.7 x 71.1 x 2.5 cm68 x 28 x 1 in) © Olga de Amaral, Courtesy Lisson Gallery https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/ebce327d-a794-4af8-b699-74359105a19b/AMAR160009_001.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Olga de Amaral, Memento 9, 2016, Linen, gesso, acrylic, and gold leaf (133.4 x 132.4 x 1 cm52 1/2 x 52 1/8 x 3/8 in) © Olga de Amaral, Courtesy Lisson Gallery https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/60dc904e-c5d3-4730-a296-5155644acb0b/_DSC1258.jpg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Vue de la Casa Amaral, Bogotá, Colombia; View from Casa Amaral, Bogotá, Colombia; Olga de Amaral, Cenit, 2019© Olga de Amaral. Photo © Juan Daniel Ca https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/10155670-9f78-4e4c-8ad7-d72c09c13e8d/AMAR_ICA+Miami%2C+USA_2025-presented+with+Fondation+Cartier+pour+l%E2%80%99art+contemporain-Photo+Kris+Tamburello_0552-1.jpeg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out Exhibition view, "Olga de Amaral" at the Institute of Contemporary Art, Miami, presented with the Fondation Cartier pour l'art contemporain, May 1 - October 12, 2025. © Olga de Amaral. Photo: © 2025 Kris Tamburello. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3b172846-fbf9-41f0-afd4-b6226daf8e83/_D854815.jpg EDITORIAL - ‘OLGA DE AMARAL’ AT LISSON GALLERY LOS ANGELES: GOLD, FIBER, LIGHT, PALLADIUM, AND THE ETHICS OF PATIENCE - Make it stand out ‘Olga de Amaral’ at the Fondation Cartier pour l’art contemporain, Paris (2024) © MARC DOMAGE https://whoisseen.com/editorial/terra monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/d7890855-f625-43c2-9973-aedf0e60b42e/Jenn+Ellis%2C+2024.+Photography+Bart+Pajak.JPG EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Portait of Jenn Ellis. Photography by Bart Pajak Jónsi. Photo by Paul Salveson. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/feacbf66-f191-4d8d-8b63-ae0e11c88c07/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE10.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out La Maison de Pommard. Antoine Langenieux-Villard. Abrasée XLIV, 2024. Vinyl paint, collage and sewing on canvas. 90 x 70 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f306308e-d9e2-4d48-8001-3e3e3547c832/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE3.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Résidence de Moyne-Blandin (67 Pall Mall). Jodie Carey. Guard, 2024. Jesmonite, earth, steel, wire. Variable (14 works). Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/9780c80c-3af4-4cb3-948b-a298b7e61263/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE8.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Château de Chevigny-en-Valière. Dahn Vo. 2.2.1861, 2009. Ink on paper. 24 x 3 x H.33 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/0132efba-38ef-42fa-8b67-727f7a697e0e/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE2.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Résidence de Moyne-Blandin (67 Pall Mall). Meta Drčar. Frame Series, Work No. 2 (III), 2024. Stainless steel. 100 x 1400 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/74ca7db8-52f1-43b9-8c53-6558927ef948/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE5.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Château de Chevigny-en-Valière. Nino Sarabutra. What will you leave behind?, 2021. Porcelain. Installation: 13 sqm (Total number of skulls: approx. 9,100). Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/69d2b013-0565-4615-aaf2-d49712623f60/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE9.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out La Maison de Pommard. Polina Piëch. Anew, 2022. C-type print on Fujiflex. 207 x 125 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/85e78e80-1d88-4ead-b70a-1e3435262b9f/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE7.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Château de Chevigny-en-Valière. Haroun Hayward. Craigs Birch Winter, No. 6, 2022. Watercolour on paper. Framed: 83.7 x 64 x 4.5 cm; Haroun Hayward. Craigs Birch Winter, No. 11, 2022. Watercolour on paper. Framed: 83.7 x 64 x 4.5 cm; Mariana Hahn. Copper and Salt, 2019. Copper, salt. 1000 x 60 x 50 cm; Sebastian Lloyd Rees. Night Sky, 2021-2023. Oil and acrylic on wood. 250 x 250 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/55b0df20-14b5-4d81-987a-0f894801c809/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE6.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Château de Chevigny-en-Valière. Anna Blom. Lost in Responsibilities, 2023. Acrylic, raw pigment, situational debris on canvas. 190 x 150cm; Mia Chaplin. It Curdles, 2024. Oil on canvas. 160 x 200 cm. Courtesy TERRA. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/3dbfca28-9283-443b-9d16-65e3e6aaff99/TERRA+BURGUNDY+WHO+IS+SEEN+MAGAZINE4.jpg EDITORIAL - FROM CONCEPT TO CREATION: CURATOR JENN ELLIS EXPLORES THE DEPTHS OF ‘TERRA’ - Make it stand out Résidence de Moyne-Blandin (67 Pall Mall). Exterior Courtyard. Courtesy TERRA. https://whoisseen.com/editorial/fred-hoffman-gagosian monthly 0.5 2026-03-12 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/5f0958d0-f54a-45cc-970a-06113e2fa950/IMG_3175.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS - Make it stand out Fred Hoffman and Jean-Michel Basquiat, New City Editions, Venice, California, 1983. Stills from Tamra Davis, The Radiant Child (2010). Photography by Tamra Davis. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/e849867b-a97d-4f0b-a054-541e3fe3ee5e/IMG_3176.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS - Make it stand out Larry Gagosian and Jean-Michel Basquiat c. 1982. Courtesy Gagosian. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/e343eff6-ff2a-4a4a-a0e7-5a1f5d0ed3b9/IMG_3177.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS - Make it stand out JEAN-MICHEL BASQUIAT, Made on Market Street, 2024, installation view. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photography by Jeff McLane. Courtesy Gagosian. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/31e1ab4f-45a8-484e-b619-c2e2b9a35f63/BASQU_1983.0053_SLH.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS - Make it stand out JEAN-MICHEL BASQUIAT, Hollywood Africans, 1983, Acrylic and oil stick on canvas, 84 1/8 x 84 inches (213.5 x 213.4 cm). Whitney Museum of American Art, New York; gift of Douglas S. Cramer. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photography by © Whitney Museum of American Art/Licensed by Scala/Art Resource, NY. Courtesy Gagosian. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/5dc6a602-64dd-4d39-80f3-cc58487d4ec1/2024_BH_BASQU_002.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS - Make it stand out JEAN-MICHEL BASQUIAT, Made on Market Street, 2024, installation view. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photography by Jeff McLane. Courtesy Gagosian. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/596bfc20-24ea-40a6-a205-bbc33e411ca2/IMG_3179.jpg EDITORIAL - AN INTERVIEW WITH FRED HOFFMAN ON HIS JEAN-MICHEL BASQUIAT EXHIBITION CO-CURATED WITH LARRY GAGOSIAN AT GAGOSIAN BEVERLY HILLS JEAN-MICHEL BASQUIAT, Made on Market Street, 2024, installation view. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photography by Jeff McLane. Courtesy Gagosian. https://whoisseen.com/editorial/me57i8nixjmdgjvbtt4k4zowg62p6d-ka544-7k6dt-kn3wb monthly 0.5 2024-04-04 https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/7efa6f83-a39a-4c4a-8103-92a68c8fd6d9/J%C3%B3nsi_01.jpg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi. Photo by Paul Salveson. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/1712238516655-YREHM5KIBMBIS8B08DDZ/jonsi_install_gallery+4_01.jpeg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi, Silent sigh (dark),2023. Speakers, metal, electronics. 117 x 114 x 69 inches; 297.2 x 289.5 x 175.2 cm. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/977a169a-8971-4240-ba6e-dca77b29ef66/TBG25045.jpg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi.Vox, 2023. 8 -channel sound installation, speakers, LED screens, fog, scent (Vetiver root, galbanum, angelica root, iris root/ orris, cis-3-hexenol). Dimensions variable. Duration: 25 minutes. Edition of 3, 1 AP. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/f05af2fa-dce6-4dfa-95e8-4ac191b6265c/TBG25046_v1.jpg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi. Var (safespace), 2023. 8 -channel sound installation, speakers, electronics, scent (cis-3-hexenol). Installed dimensions: 98 x 68 x 24 inches; 249 x 172.7 x 61 cm. Duration: 6 minutes. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/82f0bc6f-6492-48b2-bf35-8a8ec6586aa1/TBG23262_detail2.jpg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi, Sólgos (Solar flare), 2021. Chrome discs, LED lighting, aluminum, directional speakers, subwoofer, geosmin scent. 84 x 84 x 29 inches; 213.4 x 213.4 x 73.7 cm (sculpture)Dimensions variable (installation)Duration: 10 minutes, 4 seconds. Edition of 1; 1 AP. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. https://images.squarespace-cdn.com/content/v1/65c56a8a7a8d7e78f633b9dc/36c23b19-c64b-49f4-af6b-8aa0faf30a6d/TBG23263_v1.jpg EDITORIAL - AN INTERVIEW WITH JÓNSI OF SIGUR RÓS ON HIS EXHIBITION AT TANYA BONAKDAR GALLERY IN LOS ANGELES - Make it stand out Jónsi, Hrafntinna (Obsidian), 2021. Fifteen-channel sound installation, chandelier, speakers, subwoofers, carpet, fossilized amber scent. Dimensions variable. Duration: 25 minutes, 33 seconds. Edition of 1; 1 AP. 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